April 30, 2009

Novice Monk

Here's a random rough drawing I made mostly as an exercise in style and perspective. Loosely based on a short story idea.

April 16, 2009

"Gibbons, Calling For Home"


The first time I saw a wild gibbon I was hiking in Khao Sam Roi Yot, a national park in the south of Thailand. I was resting on a wide limestone cliff, taking in a the view of the Gulf of Thailand sparkling behind a thin row of trees. The leaves rustled and two animals, a mother and baby monkey I guessed, swung past. A moment later a larger individual emerged and paused in my line of sight. Otherwise all black, white fur framed its dark face. I looked up into its eyes, it looked down into mine. It leaped away with long arms gracefully reaching from branch to branch, and the others followed. These creatures were primates, but not monkeys. They were gibbons.

I always felt that moment was meaningful in some deep way, as if the gibbon and I shared something profound and unspoken when our eyes met. Looking back now, I realize it was probably thinking “if you were any closer I’d rip your arms off.”

At any rate, the moment did make a lasting impression. A couple of years later I visited the Wildlife Friends of Thailand in Petchaburi province, a 2 hour drive outside of Bangkok. The center hosts a large number of rescued animals including monkeys, elephants, civet cats, bears, a tiger, and a whole lot of gibbons.


Edwin Wiek, the founder of the center, wanted to make a comic book to teach kids about the illegal trade in gibbons. I’d seen the conditions that these animals live under as pets or tourist attractions, which is sad and often cruel, but what is downright barbaric is the way they are obtained from the wild, by shooting down the mother to get at the baby still clinging to her chest. I thought of the wild gibbon I saw years before. Maybe as it was looking deep into my eyes it was thinking “please help us, Mark Oftedal.”

So here it is a couple years later, and I just finished the artwork for Edwin’s story about the life of a gibbon named Henry. It’s called "Gibbons, Calling For Home", and will be printed in the coming weeks. The bulk of those copies will be printed in Thai language and sent out to the local schools to help raise awareness, and we'll also print a number of copies in English for tourists and expats.


Later this year Edwin’s center will release a captive gibbon back into the wild, which is a huge achievement! The gibbons in our story have a similar happy ending, but our main character goes through much suffering along the way. To add a little humor I drew the naturally funny Edwin into the story as the narrator. Apologies to Edwin, who is not pear-shaped in real life...he just looked funnier that way.


I’ll post again with more pictures as we get closer to the print date. The printing is to be paid for by a local sponsor, so the first run will be very small. Hopefully we’ll get enough interest in it that we can do a larger run down the line!

April 10, 2009

The Pumpkin of Nyefar

Thai Wang Film animation studio in Nonthaburi, Thailand. An early morning street vendor with a toothless grin grilling pork skewers, workers punching time cards on the clock on the wall, afternoon monsoon rains beating on the windows, a mahout leading his elephant past the studio in the evening...the memories of the people and the place where we made the short film “The Pumpkin of Nyefar” are more vivid than memories of actually making the animation (thankfully, for production is just as painful in Southeast Asia as it is in North America). Here's a few stills from the film:





Tod Polson has posted "The Pumpkin of Nyefar", which he directed and I co-directed. I’ll link to it here as well. For more info about the making of it see his post about how the film came together. It was truly a unique and humbling experience, and it’s a great pleasure to finally have the whole thing available online.